Paul O’ Neill. The Culture of Curating and the Curating of Culture (s). Cambridge: MIT Press, 2012. Read Introduction + Chapters 1 & 3.
Terry Smith. Thinking Contemporary Curating. Independent Curators International (ICI), 2012. Read Chapters: The Infrastructural (pp. 249-261), Curatorial Practice Now (pp. 177-249), What is Contemporary Curatorial Thought? (pp. 27-57).
Kapur, Geeta (2007) “Curating: In the Public Sphere.” In Cautionary Tales: Critical Curating, Steven Rand and Heather Kouris, ed. New York: apexart, pp.56-68.
Kwon, Miwon (2002). One Place After Another. Cambridge and London: MIT Press, Chapter: “Genealogy of Site Specificity” (pp.11-31) and “The (Un)sitings of Community” (pp.138-155).
Lydia Matthews. From the Ground up: Designing Provocative Prototypes, a Hands-on Curatorial Approach. Against All Odds Project: Ethics/Aesthetics.
Lydia Matthews. Learning From the Streets: Social Exchange and Knowledge Production in Socrates Stratis.http://www.lydiamatthews.com
ENGAGEMENT AND PEDAGOGY
Vidokle, Anton (2010) “Exhibition to school.” In Curating and the Educational Turn. Paul O’Neill and Mick Wilson, eds. Amsterdam: Open Editions/de Appel, pp.148-156.
Bishop, Claire (2012) “The Social Turn: Collaboration and its Discontents” In Artificial Hells: Participatory Art and the Politics of Spectatorship, London and New York: Verso, pp.11- 40.
Helguera, Pablo (2011) Education for Socially Engaged Art (selections) New York: Jorge Pinto.
Andrea Doucet, Natasha S. Mauthner. “Knowledge Once Divided Can Be Hard Together Again: An epistemological critique of collaborative and team-based research practices. Sociology Vol. 42(5): 971-985.
Nisha Sajnani. Coming into Presence: Discovering the Ethics and Aesthetics of Performing Oral Histories within the Montreal Life Stories Project. Alt theatre: cultural diversity and the stage Vol9.1 (September 2011) 40-49.
GUATEMALAN CONTEXT, HISTORY, AND MEMORY
Guatemala: Legacies of Violence, ReVista: Harvard Review of Latin America, Fall 2010 – Winter 2011.
Memory: In Search of History and Democracy, ReVista: Harvard Review of Latin America, Fall 2013.
Indigeneity and Decolonial Seeing in Contemporary Art of Guatemala by Kancy Cornejo, Decolonial Aesthetics, Fuse Magazine (page 28), 36-4, Fall 2013.
“When the Mountains Tremble”, Pamela Yates.